Following the success of its predecessor the IVM4, AKG proudly launches its IVM4500 IEM In Ear Monitoring System at NAMM. Building on a leading global reputation in professional wireless audio solutions and monitoring, IVM4500 IEM supports users with high quality audio and radio performance, with reliable reference capability. Users in the tour and installed sound markets will find the easy-to-use technology ideal for onstage monitoring.

Designed, developed and manufactured in Austria, with the experience and skill of AKG’s engineering team, the IVM4500 IEM offers a highly diversified system, which includes high-end radio electronic and a manual radio signal attenuator for more RF dynamic; enhanced frequency setup to show the number of free channels and supported TV channels and quick frequency change functions to support monitors, all within a rugged housing.  Battery life for the IVM receivers has been tested up to 10 hours.

“AKG’s IVM 4500 IEM in-ear monitoring hardware raises the bar for audio quality, as the user becomes more in-tune with their own sound,” stated Wolfgang Fritz, product marketing manager – tour sound, AKG.  “AKG continues to set the standard of high-quality, reliable performance, while IVM4500 IEM adds another groundbreaking, performance-enhancing technology to the industry.”

IVM4500 IEM features antenna diversity, with two matched antennae and a new reference radio electronic design, all of which provide stable signals for the receiver.  IVM4500 IEM’s audio quality boasts a high-end and powerful headphone amplifier, ultra linear frequency response and dual mode for individual mix.  The quick frequency change functions support monitor engineers throughout performances to make their projects easily adjustable.

“The in-ear monitoring market has become far more mature over the years,” continued Fritz.  “Artists demand, and rightfully so, an in-ear monitor that combines reliability, performance, power, comfort and quality audio – traits we’ve worked tirelessly on to ensure the IVM4500 IEM meets the standards of the performer.”

Included in the IVM4500 IEM system are the SPR4500 IEM diversity receiver, which automatically shows the number of free channels and supports TV channels with pre-programmed preset frequencies; the SST4500 IEM transmitter, which is adjustable to 10, 20, 50 and 100 mW depending on country laws; and the IP 2 ear-channel headphones, providing excellent acoustics and low impedance. The SPC4500 antenna combiner, the SRA2 W directional antenna and the RA4000 W omni-directional antenna complete the package.

Anaheim, California, 19 January 2012 – At NAMM in Anaheim, audio specialist Sennheiser is launching its brand new XS Wireless Series. Designed for users who want to go wireless in an easy way, this entry-level series offers complete sets with sturdy units, simple operation and high quality sound. The transmitters have a battery life of up to 10 hours, while a switching bandwidth of up to 24 MHz allows for flexibility in the choice of frequencies. The series is comprised of two vocal sets, an instrument system and presentation sets with clip-on microphone or a headmic.

With the XS Wireless Series, Sennheiser offers reliability and quality sound at an entry-level price, explained Martin Fischer, Product Manager for Sennheiser’s wireless systems. “It offers good value for money and will benefit small event and conference venues, houses of worship as well as bands, vocalists and musicians.”

Wireless without a fuss
The designers have focused on ease of use: the systems are operated via intuitive menus, they automatically search for free frequencies, and transmitters are synchronised with their receivers via a wireless link. “We wanted to make sure that users can fully concentrate on their performance, their speech, etc. without having to worry too much about the set-up and technology,” said Martin Fischer.

Extras for bands…
XS Wireless includes two systems for vocalists and one instrument set for guitarists. Vocalists can choose between a handheld with a super-cardioid condenser capsule and one that includes a genuine dynamic e 835 capsule. “The XSW 35 system takes the assertive sound of the cardioid e 835 to new user groups,” added Martin Fischer.

… and speakers
For installed sound applications and presentations, users can choose between systems with a handheld transmitter or a bodypack transmitter with either a head-worn mic or an unobtrusive clip-on microphone. Mute buttons on the handheld and the bodypack ensure that speakers are in control of the transmission.

Ruggedness and flexibility
To withstand the rigours of daily use, the true-diversity receiver is housed in a sturdy metal case. In the transmitters, one set of batteries will last for up to ten hours – not only good for energetic stage shows, but also for long events and conferences. The systems feature freely tunable frequencies within a switching bandwidth of 24 MHz (13 MHz for the E frequency range). This allows up to 12 wireless links to be operated simultaneously, ensuring trouble-free operation even at somewhat larger events.

12-inch powered subwoofer

Shure ULX-D™ Digital Wireless offers uncompromising audio clarity and extremely efficient RF performance with rugged, intelligent, encryption-enabled hardware. Advanced rechargeability options eliminate the need for disposable batteries while extending usage times and life cycle.

Generations ahead of any other available system in its class, ULX-D Digital brings a new level of performance to professional sound reinforcement.

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iPad is a trademark of Apple Inc., registered in the U.S. and other countries

With the Mackie DL1608’s seamless wired to wireless mixing capabilities, you can mix in real time from anywhere in the venue on your iPad®*. The bar, the bathroom, the back closet. Instantly adjust mix functions from tuning front of house trouble spots to ringing out stage monitors.

* An additional Wi-Fi router is required and must be connected to the DL1608. The iPad must be within range of the Wi-Fi router to enable wireless mixing functionality. Wi-Fi router not included.

Designed specifically for the iPad, the DL1608’s Master Fader™ app brings groundbreaking DAW mixing features and functionality to the live environment. With this intuitive breakthrough app, you can create mix snapshots, channel presets and even record stereo tracks straight to your iPad. Plus, with “Grow and Glow” giving you visual indication of the function you’re controlling, you can be confident that you’re always in control.

By combining 16 of our flagship Onyx mic preamps with the performance of 24bit Cirrus Logic® AD/DA converters, the Mackie DL1608 delivers unparalleled sound quality. Add to that eight balanced outputs, and you have a mixer that not only provides incredible dynamic range, fidelity and transparency, but also great versatility and outstanding value.

The DL1608 is loaded with a choice of powerful plug-ins on every channel, so you won’t need to set up additional racks of outboard gear. With just the touch of a finger, you have total control over 4-band EQ, compression and gate plug-ins. Plus, sweeten your sound with a full-featured reverb and tap delay or adjust your mix to the room with the 31-band graphic EQ and limiter on the main and aux outs.

Supporting up to 10 iPads simultaneously, the Mackie DL1608 allows multiple engineers to control the mix. Plus, it gives band members the ability to adjust their own monitors. We’re looking at you, lead guitarist. Now, the band can dial in the mix they want to hear in real time right on stage.

Put the Sharpie® away and use your iPad camera to snap quick pics of the band members or their gear for customized channel ID. Face it, that’s pretty cool.

The sleek and low profile 16-channel Mackie DL1608 is rooted in design innovation. Its powerfully small format destroys the industry’s notion that “bigger is better” by allowing modern technology to eliminate the need for bulky boards and racks of gear.

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At Midas, we know what it takes to design and build live sound consoles for the world’s most demanding tours and installations. One look at the VeniceFconfirms that this console is continuing the legacy established by the groundbreaking XL3 and XL4 consoles, then consolidated in the industry-leading Heritage series. From the VeniceF’s horizontal fader panel, through the class-leading parametric EQ filters, to the latest expression of that legendary Midas mic pre, this is a console without compromise. Features are apparent everywhere, some of which are unheard of on consoles of this modest footprint.

The bus structure remains true to the original Venice concept. Six aux sends, four groups and stereo masters. The F model adds an additional mono bus and a 7 x 2 matrix. All bus outputs feature XLR connectors and insert capability. Routing options have been expanded from the outgoing model too. VeniceF has individual routing to groups, all six aux sends are individually switchable pre or post fade, and the two aux buses designated as monitor (foldback) sends are also switchable pre/post EQ on an individual channel basis.

Mono Input Mono inputs pack a host of features, starting with the indispensible Midas mic pre, still crafted from discrete components, rather than the cheaper IC option. The 15mm gain pot is surrounded by a quartet of switches, +48V, -20dB pad, polarity reverse and 80Hz hi-pass. A further pair of switches select analogue or digital (FW) input and analogue or digital (FW) direct out pre or post EQ. Switches with LED status indicators are provided for insert and EQ in/out. The equaliser section is an updated XL3 design, featuring four bands of swept Midas eq, with the addition of variable bandwith on the two midrange filters. All input channels, groups and masters feature high precision 100mm faders.

Stereo Input Stereo inputs have two mic and two line inputs each. Mic inputs feature separate gain for left and right inputs, and the same mic amp functions as the mono inputs. Both mic and line inputs can be used simultaneously, with the line inputs routed direct to masters, while the mic inputs route via the channel. Stereo channels have four-band fixed frequency eq, and a sum-to-mono switch.

Hybrid VeniceF bridges the gap between analogue and digital audio consoles, and offers the user the ease-of-use, warmth, feel, and zero-latency of analogue, combined with the power, choice and flexibility of outboard digital processing.

FireWire® The FireWire interface can be used with any computer fitted with a 1394 port, and is effectively a 64-channel (32×32) digital audio snake, which connects directly to your computer, allowing the use of any 3rd party audio processing software in conjunction with the console. Applications include multitrack recording from the VeniceF’s digital direct outputs, software-generated FX processors driven from aux sends or direct outputs, “plug-ins” inserted on input channel FireWire send/returns. All with a heart of pure Midas.

Software Although the FireWire interface will work with nearly all computer-based audio processing software, included in every VeniceFpackage is a free 60-day trial version of RECORD, by Propellerhead. This software suite includes multitrack recording (up to 64 tracks), virtual racks full of FX and dynamics processing, and even a software mixer, which can be patched in parallel with the analogue VeniceF permitting full external digital processing of each VeniceF input channel.

Mechanical Many manufacturers cut quality when they design small mixers. At Midas we understand that modest channel count doesn’t have to mean compromised performance and a poor feature set. The VeniceF embodies quality, from its rugged construction and top-of-the-range components through to the unmistakable Midas sound, it is obviously a truly professional audio console. The frame is a typical Midas steel section, providing sufficient strength and rigidity for a hard life on the road. Potentiometers are metal-shafted, and individually nutted to the steel fascia panel. The console is finished in the well-known Midas livery, with the addition of striking metallic corner protector inserts.

Although specifically designed for live sound, the audio performance, and the addition of a FireWire digital audio interface mean that the VeniceF is equally at home in recording and remixing applications.

LM-8ST Rack-mount Stereo Line Mixer

MH-8 Rack-mount Headphone Amp
TASCAM’s MH-8 is the ultimate headphone amplifier for studio, stage and installation. Each of the eight stereo outputs gets 250mW per side with three switchable sources available. Two stereo inputs can be shared to any of the outputs, and individual stereo direct inputs are available for each of the eight channels.

HS-2 Stereo Professional Recorder
TASCAM’s HS-2 offers stereo recording and playback with timecode to solid-state media. For studio and post production use, the HS-2 fits a variety of stereo recording roles first pioneered by TASCAM’s DAT recorders. Also true to TASCAM tradition, audio is top-quality throughout with up to 192kHz/24-bit recording.

HS-8 8-channel Professional Recorder
TASCAM’s HS-8 is the first solution for professional multi-track recording and playback to solid-state media. From studio surround recording to post production playback of HS-P82 location recordings, the HS-8 fits a variety of multitrack roles first pioneered by TASCAM’s DA-88 recorders. Also true to TASCAM tradition, audio is top-quality throughout with up to 192kHz/24-bit recording.

US-800 Portable USB Interface
The lightweight US-800 from TASCAM adds great-sounding multichannel recording to your laptop, with eight inputs and four outputs for capturing dynamic soundscapes and performances.

DR-680 Portable Multi-Track Recorder
TASCAM’s DR-680 brings multi-channel portable recording within reach of any musician for polished live, location and surround recordings. Up to eight tracks can be recorded to solid-state SD card media at 96kHz/24-bit Broadcast WAV quality.

DR-08 Portable Digital Recorder
TASCAM’s compact DR-08 portable digital recorder packs serious audio quality into a handheld dynamo that fits in your pocket. It captures audiophile-quality 96kHz/24-bit WAV files – or web-friendly MP3 files – to robust MicroSD media.

DR-2D Portable Digital Recorder
TASCAM’s DR-2d Portable Digital Recorder brings high-resolution recording to a compact, affordable package. It offers up to 96kHz/24-bit WAV or MP3 recording to SD cards, and recordings can be transferred to computer through high-speed USB 2.0.

Launching globally at Winter NAMM 2010, ZXA1 is powered by an 800 watt amplifier module derived from EV’s world-tour-class Tour Grade series – amplifiers with audio quality and reliability proven at the very highest levels.

EV loudspeaker enclosure designs are often imitated but never equaled. ZXA1’s lightweight, super-durable molded enclosure ensures it looks as good as it sounds – a stylish-yet-solid choice for a wide range of applications including live sound, mobile DJ, stage monitoring and permanent installation.

ZXA1’s professional-grade 8” woofer and 1” titanium compression driver complete the equation, providing a level of sonic performance previously unheard in any compact two-way loudspeaker.

ZXA1: big power and performance has never been so portable.

Key features:

• Integrated 800 watt power amplifier
• Biamplified design with transducer protection
• EV8L 8” high-output LF transducer
• DH2005 1” exit true compression driver
• 90° x 50° coverage pattern
• Rotatable horn design
• 123 dB maximum SPL
• Selectable high-pass filter for use with subwoofers
• Line and microphone inputs
• Integral monitor angle on enclosure
• Built-in pole mount
• Lightweight (< 20 lbs) with integral handle for easy carrying

US-2000

TASCAM’s premiere multi-channel interface is the US-2000, a 16 in/4 out USB interface that fits in only one rackspace. The US-2000 has eight XLR mic inputs with phantom power, enough to record a large band or drumset. An additional six balanced 1/4″ line inputs are provided for synths, amp modelers and effects processors. Stereo S/PDIF digital inputs and outputs bring the total to 16 inputs that can be recorded simultaneously.

DP-008

TASCAM culminates 30 years of Portastudio Recording with the DP-008, a portable 8-track recorder for all musicians. TASCAM’s DP-008 is an eight-track recorder that captures CD-quality audio, two tracks at a time. You can use built-in microphones to grab ideas, plug condenser mics into the XLR inputs or plug a guitar directly in to lay tracks. There’s even a metronome and chromatic tuner built-in for tight-sounding tracks. The DP-008 also allows you to digitally bounce tracks to make room for more, and touches like editing and undo make recording stress-free.

US-122MKII

TASCAM has refreshed its best-selling USB interface with better audio specs and a fresh new look for the US-122mkII. The US-122mkII starts with two great-quality XLR microphone preamps with phantom power for condenser microphones. There’s also a pair of balanced line inputs and a guitar-level in for direct recording of electric guitar or bass. The stereo signal is sent to your computer at up to 96kHz/24-bit audio quality.

US-144MKII

The most popular TASCAM 4-channel USB audio interface has been updated with better audio specs and a fresh new look for the US-144mkII. The US-144mkII starts with two great-quality XLR microphone preamps with phantom power for condenser microphones. There’s also a pair of balanced line inputs and a guitar-level in for direct recording of electric guitar or bass. A pair of S/PDIF digital inputs and outputs is also included, for a total of four inputs and outputs at up to 96kHz/24-bit audio quality.

HS-P82

TASCAM’s HS-P82 offers 8 tracks of the highest quality recording, yet it’s built for the rigors of location recording with reliable solid-state performance. The HS-P82 is built for location television and film production audio, with eight microphone inputs for big shoots or reality programs. The standard XLR microphone inputs include phantom power and analog limiting, with trims controlled from recessed front-panel controls. In addition to the eight individual tracks, a stereo mixdown can be recorded for instant use during editing.

US-100

TASCAM’s US-100 breaks the price barrier for great-quality recording into your computer. The microphone input captures great-sounding performances, or you can plug in your guitar or bass directly into the instrument-level input. Stereo line inputs can be switched to RIAA phono level for digitizing your vinyl collection from your favorite turntable. The USB 2.0 connection guarantees playback without hiccups on your Mac or Windows computer, and the compact aluminum construction withstands the hazards of the road, studio or dorm room.

CD-200i

TASCAM’s CD-200i is a unique combination of rackmountable CD player with a dock for Apple’s iPod music player. The CD player uses the new TEAC CD-5020A transport, custom-designed for audio playback with a smooth loading drawer and low clamping noise. The internal clock has been improved for a smoother sound and decreased jitter.

Track Pack X1

Free your creativity with the Track Pack X1 from TASCAM. This package contains the components you need to turn your Mac or PC into a total production system for music, podcasting or production.

Track Pack X2

Capture your music with the Track Pack X2 from TASCAM. This package contains the components you need to turn your Mac or PC into a total production system for music, podcasting or production.

PT-7

The TASCAM PT-7 is a unique combination chromatic tuner, metronome and memo recorder for acoustic and electric musicians. The tuner features a high-speed graphic display, ideal for students to find their pitch on wind and string instruments, and an oscillator tone can also play for pitch reference. The metronome plays through the built-in speaker or headphone out and includes a visual display to keep the beat.

SS-R05

TASCAM smashes the barrier to solid-state recording with the SS-R05, a compact new recorder for installation and live recording. Based on TASCAM’s top-selling SS-R1, the SS-R05 strips down to basics to reach a price point within reach of any installation or house of worship.

BB-800

TASCAM’s BB-800 makes recording as simple as hitting record on a boombox. Because that’s what it is – a simple recorder with built-in mics and speakers. The BB-800 records to SD Cards, the same inexpensive media used in digital cameras and cellphones. Capture to either high-res WAV files or MP3 and transfer it to your computer using high-speed USB 2.0.

VL-M3

TASCAM smashes the barrier to solid-state recording with the SS-R05, a compact new recorder for installation and live recording. Based on TASCAM’s top-selling SS-R1, the SS-R05 strips down to basics to reach a price point within reach of any installation or house of worship.

MD-02B

TASCAM’s latest MiniDisc recorder is the MD-02B, the industry’s only choice for professional MiniDisc recording. The recorder features XLR balanced and RCA unbalanced analog inputs and outputs, as well as coaxial and optical digital ins and outs. It records to MiniDisc at ATRAC3 compression, and a disc can switch between Stereo, Mono, LP2 and LP4 modes.

The Super 55 Deluxe Vocal Microphone features a signature satin chrome-plated die-cast casing, Supercardioid polar pattern, vibrant blue foam, and tailored frequency response for natural vocals and speech. Integrated, swivel stand mount is included.

The combination of updates make the Super 55 the ideal choice when looking for a dramatic – yet affordable – improvement in sound quality with an unmistakable vintage design. Ideal for stage, studio recording, podcasting, and other sound applications where a stand-mounted microphone with a classic look is desired.

Features:
• Supercardioid Polar Pattern
• Iconic chrome-plated design with vibrant blue color additions
• Tailored frequency response for natural vocals and speech
• High gain-before-feedback and excellent off-axis rejection
• Shock-mounted cartridge minimizes handling noise and ensures quiet operation
• Rugged die cast casing for reliability under rigorous conditions
• Self-tensioning swivel mount, permits tilting through 45 degrees forward and 80 degrees backward